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About

About

Vetus Carmina is a professional vocal ensemble dedicated to exploring and revitalizing the musical works of the 15th and 16th centuries. Under the guidance of the Spanish conductor Arturo Moscoso, the group is composed of premier vocalists, each bringing a wealth of experience and a passion for Early Music. 

 

Based in Antwerp, Vetus Carmina seeks to uncover and breathe new life into the sacred polyphony of the Northern European and Spanish Renaissance. We believe that this intricate and profoundly spiritual music, though many centuries old, holds a universal and timeless appeal. Through meticulously researched performances, we strive to offer fresh interpretations that highlight the emotional depth and technical brilliance of these compositions. Our vision extends beyond merely preserving the past; we aim to transform and guide the way in which our audiences approach a music that was never intended for concert performance, nor for enjoyment or celebration. Instead, we hope to offer an experience of connection, may our listeners find a common ground on which to face the joys and sorrows of human existence —the very ground that has shaped our ancient culture over time, and of which this music is a fundamental expression.

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As a group commited to bridging past and present, our aim is to revive and to share the profound human experiences embedded in the musical manifestations of this era —works that, much like liturgical rites, religious iconography and other venerated objects, served as vessels for collective emotion, devotion, and identity. By bringing them to life, we restore not only their sound but also the voices, histories, and cultural landscapes they carry with them.

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Vetus Carmina launched in August 2024 with Peccata Mea, a program focused on lamentations and penitential motets. The debut was presented in two notable venues: Sint-Romboutstoren in Mechelen and Sint-Carolus Borromeuskerk in Antwerp.

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The ensemble’s second project, Oblivio, explored themes of memory, loss, and transcendence, reflecting on how Renaissance composers engaged with the impermanence of human life. Performed in May 2025 at the Heilige-Drievuldigheidskerk in Antwerp and the Begijnhofkerk in Mechelen, the program received critical praise for its emotional depth, technical clarity, and refined vocal ensemble work.

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